SECTION 1: WELCOME!
SECTION 2: DIALOGUE TECHNIQUE
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Lecture 1: The New Definition of Dialogue (5:38)
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Lecture 2: Dramatized and Narratized Dialogue (3:19)
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Lecture 3: Dialogue and the Major Media (2:13)
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Lecture 4: Dialogue on Stage (3:39)
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Lecture 5: Dialogue in Film and Television (5:23)
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Lecture 6: Dialogue in Prose (7:12)
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Lecture 7: Indirect Speech (2:08)
SECTION 3: EXPRESSIVITY
SECTION 4: THE FUNCTIONS OF DIALOGUE
SECTION 5: DIALOGUE FAULTS & FIXES
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Lecture 1: Introduction (3:23)
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Lecture 2: Incredibility (6:03)
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Lecture 3: Repetition (8:30)
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Lecture 4: Clichés (3:38)
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Lecture 5: Character-Neutral Language (2:07)
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Lecture 6: Ostentation (5:44)
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Lecture 7: Arid Speech (1:42)
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Lecture 8: Talking Bric-a-Brac (2:02)
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Lecture 9: Monologues (7:27)
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Lecture 10: Melodrama (4:36)
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Lecture 11: Writing On-The-Nose (7:25)
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Lecture 12: The Trialogue (3:59)
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Lecture 13: Misworded Lines (1:03)
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Lecture 14: Misshapen Scenes (3:54)
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Lecture 15: Splintered Scenes (3:39)
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Lecture 16: The Paraphrasing Trap (1:53)
SECTION 6: THE COMPONENTS OF STORY DESIGN
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Lecture 1: Introduction (2:24)
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Lecture 2: Inciting Incident (1:56)
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Lecture 3: Story Values (2:50)
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Lecture 4: The Complex of Desire (1:46)
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Lecture 5: Forces of Antagonism (3:29)
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Lecture 6: Spine of Action (2:04)
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Lecture 7: Story Progression (1:34)
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Lecture 8: Turning Points (1:56)
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Lecture 9: Scene Progression (1:00)
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Lecture 10: Beat (1:38)
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Lecture 11: Five Steps of Behavior (1:03)
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Lecture 12: Text and Subtext (1:58)
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Lecture 13: Action and Activity (3:57)
SECTION 7: THREE CASE STUDIES IN CONFLICT
SECTION 8: CREATING CHARACTER-SPECIFIC DIALOGUE
SECTION 9: CASE STUDIES
SECTION 10: MASTERING THE CRAFT
